Roger Shimomura's “Shadows of Minidoka”
It’s easy to forget a barbed wire barrier when you weren’t behind it. Roger Shimomura, his family and more than 120,000 other Japanese were. Shimomura never forgot. “Government,” he said, “has a very, very short memory.” Shimomura unveiled “Shadows of Minidoka” Friday night at the Lawrence Arts Center to a bustling crowd of wine sippers, art aficionados and passersby. The two-room gallery, which will be open to the public until March 12, features Shimomura’s acrylic paintings and collected artifacts. The works reflect on and resurface the two years he spent at an internment camp for Japanese Americans in Minidoka, Idaho during the second World War. “We’re looking at something more than paying lip-service to diversity and history,” said Carol Ann Carter, professor of painting and former colleague of Shimomura. The paintings rely on recurring symbols to imprint their meaning and ensure that the viewer refamiliarizes oneself with this American tragedy. “Shadow of the Enemy” depicts the s